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Western "Touch" Artistry

Photo courtesy of Paul Nelson Farm

These unique paintings depict the old west in a way that really takes you there. The “touch” technique Julie created in 2002 lends a certain texture to her pieces that can’t be duplicated by any brush, pencil or pen. When the eye is drawn to these one-color paintings, it is hard to believe how many tones can be brought out with the use of just one finger.
Since their debut, Julie's work has won numerous awards including "Best of Show" as well as a national press award for best illustration. With several publications under her belt, Julie has been recognized as a creative pioneer in the world of fine
Western art. Please feel free to visit the ink fingertip painting gallery to view her available works and perhaps watch a video demonstration of your favorite painting being created by clicking on the "demo available" link located below selected thumbnail images. Or if you wish to learn how Julie's "touch" artistry began, simply scroll down this page.
Baxter Black, a poet after my own heart! His perfect marriage of literary and physical humor make him a living legend - his way of life an odd mixture of romance and hilarity. Above is my fingertip portrait of "Baxter and Friends," a painting he published in his book "Blazin' Bloats and Cows on Fire!" You can view this painting by clicking here.

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Touch artistry got its start when Julie’s church asked her to come up with an idea on how to get the parishioners more involved in mass. After some thought, she purchased four ink pads, some hand wipes and a 32” X 40” piece of foam board and set up shop in the west vestibule. As the parishioners entered the church to attend mass, they lined up to lend their thumbprints to a slowly-developing portrait of Jesus. After two weekends, seven masses and countless thumbprints, the portrait was completed. It can be viewed where it is housed at St. Patrick’s Parish on 94th and State Avenue, in Kansas City, KS.

Shortly afterward, Julie decided to apply the same technique to her own western-themed art work. Her first attempt turned out a fairly decent portrait of a cowboy and his mustache. It was then that she realized the combination of sepia-toned pigment ink and fingerprints gave her paintings that “rough and rugged” essence that defines the character of the Old West.

View more Ink Finger Paintings by clicking here


 

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